With all
the hoopla associated with Christmas, family gone, leftovers eaten, wrapping
paper and cardboard boxes in the dumpster, decorations down, and the artificial
tree stored (artificial trees outsold natural trees this year, 60% vs 40%), I
have been able to settle down with Walter Isaacson’s new book on Leonardo da
Vinci.
Several
features make the book unique: It is printed on premium grade glossy paper that
make the numerous illustrations pop; Isaacson gives a rather detailed overview
of Leonardo’s life in the first few chapters before discussing da Vinci’s major
contributions so that chronology does not interrupt the flow of achievement. Although
written by a scholar of the highest degree, the writing style makes the book
easy and enjoyable to read. The last chapter discusses Leonardo’s self-taught
traits that allowed him to will his way to brilliance (makes great blog
material that you can count on reading here).
The book has many magical nuggets
unminted by my mind. (Sorry, I couldn’t resist the alliteration. In more
prosaic words: the book had a lot of stuff I didn’t know.) Here are just a few:
· A light background makes an object
look bigger than a dark background
· Leonardo was a producer of pageants
and plays. He used his artistic and technical skills in stage design, costumes,
scenery, music, mechanisms, choreography and automatons.
· The incredible perspective tricks
that contribute to the majesty of The
Last Supper.
· His ability to show intentions of
the mind through gestures in his artwork. Leonardo wrote: A picture of human figures ought be done in such a way as that the
viewer may easily recognize, by means of their attitudes, the intentions of
their minds.
· The design of a cathedral should
reflect the proportions of the human body as depicted in The Vitruvian Man.
These are
just examples. If I were to write about all the things I learned from
Isaacson’s book the information would fill a small volume…and I’ve read less
than half the book so far.
I’ll close
with this intriguing statement from Isaacson:
The fact that Leonardo was not only
a genius but also very human—quirky and obsessive and playful and easily
distracted—makes him more accessible. He was not graced with the type of brilliance
that is completely unfathomable to us. Instead, he was self-taught and willed
his way to his genius. So even though we may never be able to match his
talents, we can learn from him and try to be more like him.
Why not
buy the book and, in your mind’s eye, join me in a cozy read nestled next to a warming
hearth, the hubbub of the holiday fading away.
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